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Big Changes at New Edgecliff

Michael Shooner steps down as NET Executive DirectorNew Edgecliff Theatre announced today that founder Michael Shooner will no longer be serving as Executive Director. He will, however, continue to serve on the board of NET, while the Executive Director position will be combined with that of Artistic Director, creating a new position, Producing Artistic Director, to be taken on by current AD Jim Stump.

Shooner established New Edgecliff in 1998 (becoming its first Artistic Director) in hopes of reincarnating the professional standards he had first experienced in the wake of David Barrie’s resident Equity company at Edgecliff College in the 1970s. His first acting job with NET (Eric Bogosian’s Sex, Drugs, Rock & Roll) earned him a CEA nomination for Best Actor. He appeared the subsequent season in the critically acclaimed The Woolgatherer, but did not return to the NET stage again for another 6 years. “That was odd”, he says, “because I had at least in part wanted to create a place where I knew I could work as an actor without having to wait for the phone to ring” (during those “dark” years, he did make a few appearances at Cincy Shakes). When Elizabeth A. Harris became the new AD, she put Shooner back on the NET stage as Teach in American Buffalo, which earned him an Acclaim Award as well as another CEA nomination. In the 7 years since, he’s managed four more appearances at NET: Roma in Glengarry Glen Ross, Willy Loman in Death of a Salesman, Dysart in Equus and the Man in St. Nicholas. He’s also appeared opposite Dale Hodges in the Xavier University production of Frozen, which earned him another Acclaim Award.

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Rebecca Whatley Earns LCT Award Nomination for Role in Proof

Rebecca Whatley in PROOFPanelists for the League of Cincinnati Theatres (LCT) have recognized New Edgecliff Theatre‘s production of Proof with an LCT nomination for lead actress, Rebecca Whatley.

On the eve of her twenty-fifth birthday, Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness — or genius — will she inherit?

Panelists praised Rebecca Whatley’s portrayal of Catherine as “natural and unforced”; “a touching mixture of bewilderment, bravado, and brokenness that commanded my attention and did not let up.”

Proof continues through April 27th. Tickets can be purchased at cincinnatiarts.org or by calling 513-621-2787.

Final LCT awards will be determined at the end of the season and announced at the LCT gala in the spring.

New Edgecliff presents Pulitzer, Tony-Winning PROOF

Former NET artistic director Procaccino returns to direct

Proof image

Rebecca Whatley and David Roth in PROOF (photo by Mikki Schaffner)

New Edgecliff Theatre wraps up its 15th anniversary season with David Auburn’s 2001 Pulitzer Prize and Tony Award-winning Proof. An examination of family, genius and madness, the play rose almost instantly to the status of contemporary classic. The script primarily focuses on Catherine, a troubled young woman who has spent years caring for her brilliant but unstable father Robert, a famous mathematician. Following his death, she is confronted all at once with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, her father’s former student, who hopes to find something of value in the work Robert left behind. All this, added to the discovery of a mysterious notebook, compels Catherine to consider exactly which of her father’s traits she’s inherited.

Former NET Artistic director Greg Procaccino returns to direct David Roth, Liz Smith, Brandon Wentz, and Rebecca Whatley in this acting-centric play, presented in the appropriately intimate environs of the Aronoff Center’s Fifth Third Bank Theater. Procaccino served as Artistic Director for NET from 2006-10, directing such shows as Fool for Love, Fat Pig, [title of show] and Cyrano Rehearsed. He says he’s excited to not only be working once again with New Edgecliff, but also to have a crack at this powerful play. As he puts it, “Being back with New Edge makes me smile. I love the people. They did such great work during my time there – made me look real good.” About Proof he says, “It’s a beautiful, haunting play about being haunted by your past – your family – the weaknesses in your family that could lead to a painful discovery. The challenge of the play is to just let these people bump up against each other and let their world play out freely in front of the audience.”
Artistic Director Jim Stump feels that Proof not only perfectly epitomizes NET’s mission, but also the theme of the company’s 15th season, “NeXt” by, as he says, “exploring the themes of the legacies passed on from generation to generation. Some are tangible such as homes and property. Some are the result of heredity. And sometimes, it’s difficult to know whether they are a blessing or a curse.”

PRODUCTION INFORMATION

Proof by David Auburn
Directed by Greg Procaccino
Featuring David Roth, Liz Smith, Brandon Wentz, and Rebecca Whatley

April 17th-20th, Wed-Sat 7:30pm / April 23rd-27th, Tues-Sat 7:30pm
Fifth Third Bank Theater at The Aronoff Center for the Arts (entrance on Main Street at the corner of Seventh Street)

Tickets: $25.25 adults, $20.25 seniors, and $17.25 students
For more information or to purchase your tickets, visit CincinnatiArts.org
or call (513) 621-ARTS (2787)

New Edgecliff & Olives Offer Dinner and Show Package for Slow Desecent

New Edgecliff & Olives Offer Great Options for a Night Out!

Olives Restaurant, Ludlow GarageEnjoy dinner in Clifton’s Gaslight District before the performance of Slow Descent from Heaven on Tuesday February 26.  For one low price of $28, enjoy a salad and any pasta entrée at Olives (342 Ludlow Avenue) and then join us at the Clifton Cultural Arts Center for a 7:30pm curtain.

Not available to join us on Tuesday?  Olives is also offering 20% off your dinner before ANY performance of Slow Descent from Heaven you attend. Simply print off your ticket confirmation email and take with you to Olives to redeem.

Reservations for dinner can be made by calling 513-221-4200.  Please be sure to mention you are attending the show when you make your dinner reservation.

Order your tickets online now!

Annie Kalahurka Earns LCT Nomination for role in The 12 Dates of Christmas

Panelists for the League of Cincinnati Theatres (LCT) have recognized New Edgecliff Theatre’s The Santaland Diaries & The 12 Dates of Christmas with an LCT nomination for lead actress (Annie Kalahurka).

In The Santaland Diaries, Everyone’s favorite elf, Crumpet, the elf fixa ted on spastic children, obnoxious parents, nutty co-workers and, oh yeah, One Life to Live, is back in an alternative holiday favorite. Then, in The 12 Dates of Christmas: what happens when Mary sees her fiancé making out with his co-worker on national TV at the Macy’s Thanksgiving Day Parade? She dumps him and then spends the next year being set up, hooked up, strung up, and fed up as she navigates her life “alone” as a New York actor in her thirties.

Annie Kalahurka’s performance as Annie was praised by panelists, noting that “her command of the hour-long one-woman show showcased a mastery of comedy, drama, and multiple characters and voices.”

The staff and board of New Edgecliff Theatre congratulate Annie on her well-deserved nomination, and applaud both her work and the work of Brian Griffin in this holiday pairing!

The Santaland Diaries & 12 Dates of Christmas continues through December 8th. Tickets can be purchased by calling 513.621.ARTS or by going to cincinnatiarts.org to order online.

photo by Mikki Schaffner

The Santaland Diaries Returns to NET, partnered with Hilarious One-Woman Show

New Edgecliff pairs Sedaris and Hoben
Holiday standard matched with regional premiere

The Santaland Diaries & The 12 Dates of ChristmasNew Edgecliff Theatre has once again re-invented its annual antidote to the holidays, this year pairing David Sedaris’ one-man one-act, The Santaland Diaries with the regional premiere of Ginna Hoben’s one-woman one-act, The 12 Dates of Christmas.

The Santaland Diaries chronicles the real-life observations of renowned NPR commentator and memoirist Sedaris as he encounters crazed Santas, obnoxious parents and queasy children, while working his first New York job – as one of Santa’s Elves – in the very nexus of commercial Christmas and Holiday Cheer, Macy’s Santaland.

This year’s remount of The Santaland Diaries will feature Brian Griffin, who’s been seen at NET previously as Cyrano in Cyrano: Rehearsed. Other recent Cincinnati acting roles include Ted in Collapse at Know Theatre, Felix Ungar in The Odd Couple at the Carnegie Performance Center, and Gooper in Cat on a Hot Tin Roof at the Covedale.

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NET Presents THE CANTERVILLE GHOST – adapted by Catie O’Keefe

New Edgecliff Theatre’s annual Sweet Suspense Radio Drama returns with a family friendly radio style adaptation of the Oscar Wilde classic, adapted for the stage by NET’s Playwright-in-Residence, Catie O’Keefe.

This one-night-only event includes the re-creation of an early, 30′s era radio studio, complete with live sound effects. Intermission will feature an assortment of desserts and sweets from some of Cincinnati’s finest bakeries, restaurants and caterers.

Where others have run screaming in terror, the Otis family seems quite comfortable in their new haunted house. After moving to England and into Canterville Chase, this family of Americans finds nothing frightening about the famous Canterville ghost. In fact, his attempt to replenish an old blood stain is nothing but annoying and his efforts to scare the family members usually end in the ghost hiding in fear. It’s not until the young daughter,Virginia, takes an interest in helping the murderous spirit, that the family and the ghost find peace and quiet.

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NET Seeks Stage Manager for 2012-2013 Season

New Edgecliff Theatre is seeking a Resident Stage Manager for our 2012-2013 Season, NEXT! A small professional theatre company, we are looking for a dedicated individual willing to contribute his or her unique skills and enthusiasm to help our organization thrive.

Resident Stage Manager
Reports to: Technical Director
Deadline to Apply: June 25th, 2012

Position Summary:
New Edgecliff Theatre is seeking a resident stage manager for our 2012-2013 seasons. The Stage Manager is a key position in every NET production, serving as liaison between staff, cast, and production team. The ideal candidate is highly motivated, has excellent communication skills, and is able to adapt to the needs of each production. An excellent stage manager is able to anticipate needs and address concerns before they become problems.

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NET To Hold Season Auditions on May 26th

New Edgecliff Theatre 2012-13 Season Auditions
AuditionsDATE/TIME: Saturday May 26 1-4 p.m.
LOCATION: Dramakinetics of Cincinnati, 4222 Hamilton Ave, Cincinnati Ohio, 45223
HOW TO PREPARE: Actors should provide a photo/resume and prepare 2 contrasting contemporary monologues totaling 2 minutes. Appointments not required.

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New Edgecliff Theatre Announces 15th Season: NEXT

In 1998, building on a concept of locally-produced professional theater that he first experienced at Edgecliff College in the 1970’s, Executive Director Michael Shooner established New Edgecliff Theatre. “I wanted to create a theatre company where the connection between actor and audience was the essential element,” says Shooner. Now entering its 15th season, NET continues to present works featuring local talent that focuses on the actor’s craft. Over the years, Cincinnati audiences have enjoyed such shows as “I Stand Before You Naked”, “Master Harold and the Boys”, “American Buffalo”, “Equus” and “Title of Show” and has collaborated with such organizations as The Carnegie Center for Visual and Performing Arts, Xavier University and The Freedom Center.
“As we approach our fifteenth season, I’ve been thinking about what’s next for our audiences,” says Artistic Director Jim Stump. “Audiences have come to know us as a theatre where the audience is drawn into the story by quality actors performing excellent scripts, and they frequently ask, “What’s next?” This sense of anticipation inspired the theme for our fifteenth anniversary season: “Next”. Whether it’s the excitement of plans for the future, the monotony of endless days of routine or the uncertainty of the unknown – there is always the exquisite sense of discovery as a story unfolds.”

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