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Auditions

a scene from Fat Pig

Whether a you are a seasoned professional or just getting your feet wet, all are welcome to audition for NET’s upcoming productions. We strongly encourage you to attend the League of Cincinnati Theatre’s Unified Auditions, as our artistic staff attend every year. Auditions and callbacks for individual shows are held throughout the year as needed. New Edgecliff Theatre is a non-union theatre, but we regularly secure Special Appearance contracts for Equity Performers.

Most auditions are held on an appointment-only basis, and you will typically be asked to perform a monologue (and/or a song for a musical audition). If available, it is suggested you bring your headshot and resume.

Check below for the most recent Audition announcements.

NET To Hold Season Auditions on May 26th

May 16th, 2012

New Edgecliff Theatre 2012-13 Season Auditions
AuditionsDATE/TIME: Saturday May 26 1-4 p.m.
LOCATION: Dramakinetics of Cincinnati, 4222 Hamilton Ave, Cincinnati Ohio, 45223
HOW TO PREPARE: Actors should provide a photo/resume and prepare 2 contrasting contemporary monologues totaling 2 minutes. Appointments not required.

Shows and Roles:

Talk Radio by Eric Bogosian
directed by Buz Davis
Rehearsals: Aug 26-Sep 21/Performances: Sep 22-Oct 13

Sid Greenberg – host of finance radio show
Bernie – Sid’s producer operator
Spike – radio sound engineer
Dan Woodruff – late 30’s to late 40’s, Barry’s operator and best friend, the Ying to Barry’s Yang
Stu Noonan – 40’s to 50’s, radio station producer
Linda MacArthur – late 20’s to mid-30’s, attractive associate producer
Barry Champlain – late 30’s to late 40’s, a Jewish radio personality with a caustic sense of humor and a knack for cutting people down with his controversial political views
Kent – teenager, smart ass prankster
Dr. Susan Fleming – radio psychologist
Dr. Fleming’s Operator

The Santaland Diaries by David Sedaris, as adapted by Joe Mantello
and The Twelve Dates of Christmas by Ginna Hoben
directed by Lewis Magruder
Rehearsals: Nov 4-30/Performances Dec 1-22

Crumpet – early 30’s
Mary – late 20’s to mid-30’s

Slow Descent from Heaven by Catie O’Keefe
directed by Ed Cohen
Rehearsals: Jan 13- Feb 8/Performances Feb 9-Mar 2

Molly ages 26 to 43 years old – Strong willed, independent scientist
Sid ages 31 to 39 years old – Grounded, practical guy in love with Molly
Dietrich ages 30 to 44 years old – Ambitious Russian scientist, Molly’s former coworker and lover
Beth ages 59 to 66 years old – Midwestern mother wanting more for her son (Sid) in his relationship

Miss Witherspoon by Christopher Durang
directed by Mark Seamon
Rehearsals: Mar 17-Apr12/Performances Apr13-May4

Veronica – A smart but worried woman, mid-forties to late fifties

Maryamma – A spirit guide in the netherworld, she may be any age. She is intelligent, and has a grace of movement and loveliness of spirit. She is also forceful when she needs to be. She wears a sari, and her ethnicity is Indian – that is from India.

Actress 1 – plays Mother 1 (thirties, a new mother somewhere in Connecticut, thrilled to have a new baby, sensible, nice) and Mother 2 (thirties, drug addict much of the time; cranky to have a baby; not trying to be mean, but not fighting it either)

Actress 2 – plays Teacher (any age, but best forty to fifty-five, African American, a bit over-worked, but a good teacher, intelligent, wants to help when she can) and Woman in a Hat (African American, a surprise visitor in the netherworld, proud of her appearance, wears an impressive “going-to-church” hat, sassy and pointed in her comments)

Actor – plays Father 1(thirties, also thrilled at have first baby, prosperous, sensible, nice), Father 2 (Hell’s Angel type, a drug addict, zones out a lot), Sleazy Man (British guy named Stanley, hangs out in the playground selling drugs to children), Dog Owner (nice guy, thirties, pretty average, loves his dog), Soothing Voice and Wise Man (another visitor in the netherworld, dressed in long white robes, he is articulate and a somewhat powerful wizard.)

# # #

New Edgecliff Theatre Announces 15th Season: NEXT

April 30th, 2012

In 1998, building on a concept of locally-produced professional theater that he first experienced at Edgecliff College in the 1970’s, Executive Director Michael Shooner established New Edgecliff Theatre. “I wanted to create a theatre company where the connection between actor and audience was the essential element,” says Shooner. Now entering its 15th season, NET continues to present works featuring local talent that focuses on the actor’s craft. Over the years, Cincinnati audiences have enjoyed such shows as “I Stand Before You Naked”, “Master Harold and the Boys”, “American Buffalo”, “Equus” and “Title of Show” and has collaborated with such organizations as The Carnegie Center for Visual and Performing Arts, Xavier University and The Freedom Center.
“As we approach our fifteenth season, I’ve been thinking about what’s next for our audiences,” says Artistic Director Jim Stump. “Audiences have come to know us as a theatre where the audience is drawn into the story by quality actors performing excellent scripts, and they frequently ask, “What’s next?” This sense of anticipation inspired the theme for our fifteenth anniversary season: “Next”. Whether it’s the excitement of plans for the future, the monotony of endless days of routine or the uncertainty of the unknown – there is always the exquisite sense of discovery as a story unfolds.”

“We’re also making changes to our performance schedule,” adds Managing Director Devon Campailla. “Each of our main stage shows will run four weeks, opening with a Saturday performance. The second weekend will have performances on Friday and Saturday and the subsequent weekends will run Thursday through Saturday. This will give audiences a wider selection of weekends to choose from to attend our shows.”

Auditions for the season will be announced shortly. Those interested in design and production positions should send resumes to jobs@newedgecliff.com. High school and college students interested in internships should apply online.

NEXT Season Line Up

Talk Radio by Eric Bogosian
September 22nd-October 13th, 2012
Directed By Buz Davis

Talk Radio opens our 15th anniversary season, commemorating NET’s inaugural, CEA-nominated production of Bogosian’s Sex, Drugs, Rock & Roll in 1998. Rush Limbaugh doesn’t hold a candle to Cleveland’s WTLK radio host, Barry Champlain. On the eve that Barry’s show is to go national, he shows no loss for words with his callers, who range from a desperate, soon-to-be-teen-mom, a man knowledgeable in nuclear power and those who just want to hear their voice on the radio. Fueled by coffee, Jack Daniels, cocaine and the voice on the other end of the phone line, he puts on his finest performance yet. Immersed once again in the pool of boring, emotionless, uneducated voices that feed his career, he is left to question his ability to maintain his role. With every passing minute of airtime, not even Barry knows if it’s a performance for the new syndicate or perhaps a final show for just himself. “The most lacerating portrait of a human meltdown this side of a Francis Bacon painting…”—Ben Brantley, The New York Times

The Canterville Ghost by Oscar Wilde, adapted for the stage by Catie O’Keefe
October 20th, 2012
Directed By Bob Allen

NET’s annual Sweet Suspense Radio Drama returns with a family friendly radio style adaptation of the Oscar Wilde classic. This one night only event includes a recreation of an early radio studio complete with live sound effects by Mike Martini. Intermission will feature an assortment of desserts and sweets from some of Cincinnati’s finest bakeries, restaurants and caterers. Where others have run screaming in terror, the Otis family seems quite comfortable in their new haunted house. After moving to England and into Canterville Chase, this family of Americans finds nothing frightening about the famous Canterville ghost. In fact, his attempt to replenish an old blood stain is nothing but annoying and his efforts to scare the family members usually end in the ghost hiding in fear. It’s not until the young daughter,Virginia, takes an interest in helping the murderous spirit, that the family and the ghost find peace and quiet. The production will once again be under the direction of Bob Allen.

The Santaland Diaries by David Sedaris, adapted for the stage by Joe Mantello
and The 12 Dates of Christmas by Ginna Hoben
December 1st-22nd, 2012
Direct by Lewis McGruder, featuring an all new cast!

Everyone’s favorite elf Crumpet, the elf fixated on spastic children, obnoxious parents, nutty co-workers and, oh yeah … One Life to Live, is back in our alternative holiday favorite! Then, in 12 Dates of Christmas…what happens when Mary sees her fiancé making out with his co-worker on national TV at the Macy’s Thanksgiving Day Parade? She dumps him and then spends the next year being set up, hooked up, strung up, and fed up as she navigates her life “alone” as a New York actor in her thirties. “Hoben has created a woman’s show to join the annual, male-dominated Christmas lineup, but like Santaland Diaries, it is a tale of real life and holiday hope touching us all.” — Eric Minton, Shakespeareances.com

An Original Play by Resident Playwright Catie O’Keefe
February 9th-March 2nd, 2013
Directed by Ed Cohen

We bring resident playwright Catie O’Keefe and director Ed Cohen together for our winter show with the world premiere of a new full-length play. NET produced Ms. O’Keefe’s Darker in the Fringe Festival last year to rave reviews and her adaptations of our last two Radio Dramas have been well received. Title to be announced in our season brochure this
summer.

Miss Witherspoon by Christopher Durang
April 13th-May 4th, 2013
Directed By Mark Seamon

In the wonderfully delightful and strange world of Christopher Durang, Veronica finds herself flung between different lives as she is reincarnated again and again. She emerges as a new baby and even as a dog – reliving different lives to clear her aura. Miss Witherspoon is the name given Veronica by her spiritual guide Maryamma, and it seems to follow her through every life she enters into. But there is more than just a name that connects Veronica to her many reincarnations. Her life, her experiences and those around her all seem to be connected. As she ventures from one life to another looking, she searches for many of the same things that all people search for… answers to life’s biggest questions…like, “What come next?” NET brings back Mark Seamon, who directed their recent production of Neil LaBute’s reasons to be pretty. “This is Durang at the top of his metaphysical, apocalyptic, high-and-pop cultural game…thoroughly lovable. And funny.” —NY Newsday. “A delightful eighty-minute crazy-quilt fantasy.” — Associated Press.

Season Subscriptions available online at newedgecliff.com beginning June 15th!
Single Ticket Sales begin July 1st
Box Office: 888.588.0137

New Edgecliff Theatre to Hold Season Auditions, also Seeks Designers for 2011-2012 Season

July 21st, 2011

New Edgecliff Theatre will hold auditions for two of its main stage productions, Burn This and Reasons to be Pretty, on Tuesday, August 9th from 7-10pm at the Essex Studios (2511 Essex Place, Cincinnati, OH 45206).  No appointment is necessary.  Roles are available for men and women, ages 25-45.  Auditionees are asked to prepare two contrasting monologues and to bring a headshot and resume to the audition.  Invited callbacks for Burn This will be held on Thursday, August 11th.

Opportunities are also available this season for set designers, costumers, prop masters, and sound designers. All positions are stipend paid.  If you are interested in any of these design positions, or would like more information, contact New Edgecliff Theatre at jobs@newedgecliff.com.

Available Roles

Burn This

Anna: ( 25-35 years old), a dancer who wishes to be a choreographer; beautiful, slender, and strong. As the play opens she is grieving for her gay roommate, Robbie, who has just died in a boating accident.

Burton: (30-40 years old), is handsome, tall, athletic; a successful screenwriter and Anna’s boyfriend. For Burton, screenwriting is not an artistic passion, but is a means of making a lot of money. He was a privileged child and he has never lost anything important before.

Larry: ( 25-35 years old) Anna’s other roommate; intelligent, an also gay; works in advertising. A confidant of Anna’s, LARRY is aware of Anna’s love for Pale long before she admits it. Larry helps break the tension of the play with some light comedy.

Pale: (35-45 years old), Robbie’s older brother who appears to collect his brother’s belongings. Pale is described as very sexy in a blue-collar kind of way. He manages a restaurant and is separated from his wife and children. He has a foul mouth and admits he knew Robbie was gay but speaks contemptuously of that lifestyle.

Reasons to be Pretty

The characters in reasons to be pretty are two working class, twenty-something couples in an outlying suburb somewhere in the United States.  All are flawed, but at their core they are sympathetic.

Greg: the play’s protagonist.  He works the night shift in a food packing plant with his long-time friend, Kent.  Greg is intelligent and has a love of literature that he often uses as an escape.  He alternates between typically jerkish male behavior and genuine vulnerability and sensitivity.  He makes a journey toward understanding and ultimately takes responsibilities for his failings.

Steph: a hairdresser who finds out that her boyfriend, Greg, doesn’t think she’s pretty.  This launches her on a journey of her own.  Her fragile self-esteem is ruled by her perception of herself as odd-looking rather than attractive.

Kent: someone we hate to like and like to hate.  He is a vulgar, arrogant, overgrown child whose main preoccupations are sex and sports.  He has bullied Greg to remain locked in an immature macho friendship.  He is a boorish, hyper-masculine brute who is charming enough to get whatever he wants.

Carly: Kent’s wife and Steph’s best friend.  She works at the plant as a uniformed security guard.  Beautiful but gruff, she is a put-upon character with a toughened exterior and desperate vulnerability.  She possesses the shaky confidence of a born beauty who is scared that all she has to offer is her looks.

Cincinnati Directors Competition Application Deadline Extended

August 30th, 2010

Now Accepting ApplicationsThe Cincinnati Directors Competition is now accepting applications for the 2011 battle, taking place March 9th-12th.

This competitive directing showcase presents work of directors from around the country. It is the only competition of its kind ever presented in this region!

Applications are due no later than January 15th, 2010.

Download the Application Now!

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